Studio Shots

My friend James is always very well dressed indeed. Furthermore, he can conjure on demand a wistful look, as if lost in a reverie of past romances in far off places. This makes him ideal model material, as yet unexploited. Until now....

Hot in the Cold

I have been working on a drawing over the past few days. It will be inset into the lining of a new jacket that I am working on.

This new jacket will be extra warm, with a thick, but lightweight quilted lining. I thought that I might call it something like the 'toaster' or perhaps the 'melter'. Better suggestions would be more than welcome.

The drawing is very cold... with a little bit of heat provided by 'Hindu Kush'.

The Full Monty

Depending on how moved you are by packaging you may or may not find this an interesting post... I have spent all most all of my life with only only a very modest interest in packaging, however the past month has seen my emotional engagement with packaging go from 'minimal' to 'obsessive'. For those of you who share my current obsession with packaging I hope you find the following striptease-like sequence of photos as exciting as I do.

The Hill Jacket in Brown

A couple of weeks ago an experiment arrived back from the factory: the Hill Jacket in brown shu, with brown horn buttons and a dark green moleskin collar lining.

Shu comes in shades of grey, from almost white to almost black. The grades are achieved by mixing darker and lighter wool. The kailey sheep which produces the wool used for shu doesn't come in brown, so walnuts soaked in water are used to achieve a quite unusual range of redy, beigey browny hues. Shu is not dyed into any other colours.

I think the experiment was a success!

Matching Fabric Samples

I have been going through swatches of different English-made tweed-like fabrics from the venerable mill Abraham Moon and Sons (established in 1837). Moon's range of lambswool and merino wool cloths compliment the more robust shu very well indeed, so I am keen to use Moon's cloths with shu in future Hindu Kush jackets. The soft handle of Moon's cloth can be employed very usefully around the collar of my jackets, so that the wearer's face comes into contact with something slightly more comforting than the shu. (I don't want to put shu down, it's handle is soft too, not scratchy like a thorn-proof cloth).

In the most recent Hindu Kush jacket, currently calling it's self the 'Donegalistan' British cloth and shu compliment each other very well indeed. It is something which I am super keen to build on in future jackets!

Swatches from Moon's and shu.

Shu swatch

The Donegal tweed used in the Donegalistan

The Donegalistan with tweed collar and piping.

Coloured Paper Labels

I have come up with a design for the labels which will hang from my clothes when they grace the planet's chiquest boutiques.

One bears the Tirich Mir Hindu Kush logo, the other a diagram of the making and export of the clothes and the final is handwritten for each garment; detailing size, style and date of manufacture.

The three labels.

The labels as they would hang in a shop.

Spreadsheets

I feel guilty as I haven't been able to offer you any images of clothes. This is because for the past three months I haven't been doing any designing, instead I have been applying for loans, calculating tax and working out stock levels. This means spreadsheets and I am not a natural, so I have drawn you a picture of me VS the spreadsheet.