More Maps

I have finished a map for the booklet which I plan to accompany each item of Hindu Kush clothing sold. It shows where the wool is produced in respect to South Asia and the Hindu Kush mountain range. I have posted before about Tirich Mir and Chitral.

Tirich Mir

At 7,708 meters Tirich Mir is the highest mountain in the Hindu Kush range, the highest mountain outside the Himalayan-Karakoram range and the 33rd highest mountain in the world. In my previous post I explained how our wool is made at its feet.

Independent of its height Tirich Mir is remarkable for lots of different reasons. Firstly it dominates the Chitral valley in the most awe-inspiring way. As you fly into the tiny Chitral airport Tirch Mir floats high above the aircraft, a blinding-white chunk of land, which seems out of place so deep into the sky. Once on the ground the mountain is inescapable, a constant presence, far to the West, but appearing deceptively close due to its scale and brilliance.

The human story of Tirich Mir is beguiling too: first climbed in 1950 by the Norwegian mountaineer turned eco-philosopher Arne Naess, the mountain has played its part in the environmental movement of the twentieth century. Before Naess people in Chitral had imagined presences on summit of Tirich Mir, djinns (demons) were said to haunt its slopes. More profoundly though, the summit was understood to be the meeting place of mountain top fairies. These fairies played and still play an important role in the pre-Islamic religions of the region, guarding the purest places, beyond the polluting reach of man.

Tirich Mir from theworldmountain.blogspot.co.uk

Tirich Mir looming over Chitral valley. From Zerega at www.panoramio.com.

Tirich Mir from Shahi Masjid in Chitral town. 

A Woodcut of Tirich Mir

The wool for our garments is spun in the shadow of Tirich Mir, the Highest mountain in the Hindu Kush. It is washed in streams fed by the mountain's glaciers and the sheep which provide it graze the mountain's foot hills. Therefore I thought it was important that an image of Tirich Mir was somehow incorporated into our first collection, so I engraved a woodcut of the mountain as seen from the south. The woodcut was then printed onto paper using the burnish technique and finally digitally printed onto cotton. The printed cotton image will be sewn onto the inside of the second jacket in the collection.

The wood cut in progress: I used an engraving tool and a knife brought in Chitral, North West Pakistan.

The wood block after being inked.

Printed onto fabric.